Sunday, 28 June 2009

The Wave Pictures: Live & On Wax

A real unique edge is hard to come by in UK guitar music at the moment, one you can grasp on to, live or at home, straight away is even rarer. But the Wave Pictures, who will be as familiar as a pair of old Midlands-made slippers to long-time ShadowPlay readers, have that direct quality which can be latched onto within seconds. Perhaps it’s lead singer David Tattersall’s ever lilting vocal, or maybe his off-the-cuff lyrics (I cut my hair and you grew yours/there always has to be the same amount of hair in the world) are the key, but it’s as likely to be Franic’s basslines or the ever-impressive supporting vocal from drummer Jonny Helm are the irresistible element.

On new record, If You Leave It Alone, the prolific trio step up their style a little, opting for their high tempos and cheeky guitar solos more often than not. The title track opens the album with vigour and finesse, setting the listener up for the bizarre and meticulous imagery to come, elsewhere Your Bed Hung off the Wall and Too Many Questions also display the kind of harmonising that sounds like the Beach Boys if they’d put down the Beano and picked up Razzle. Live, they’re such a perfect proposition, full of self-effacing modesty, but also a cheeky confidence borne from hundreds of shows to increasing adoration and success. At the Lexington last month the band show off material from the new album, already know to much of the hardcore audience in attendance at the fantastically booze north London pub. Choruses, and more importantly certain marmalade-y verses, are bellowed back, pins are dropped and heard when silence is needed and, most importantly, the Wave Pictures are treated as the treasures they so clearly are.

Monday, 8 June 2009

Homelovin' zine returns

ShadowPlay has a few long-term friends it likes to cross paths with, share staples and generally be traded for in the kind of free trade, papery agreement which would put the Doha round to shame.

Homelovin’, the decade-old brainchild of Amsterdam-dwelling Lancastrian artist Paul Haworth, is one such companion.

Paul has long written about offbeat music in a quirky style, usually in capitals. The tenth issue continues in the same rich vein musings on Kevin Rowland, Bruce Springsteen, the Replacements, the Music Tapes, Freddie Mercury, American Music Club, Josh T. Pearson, an essay by Bunny Poe, and a few drawings to accompany them.

Homelovin’ hasn’t changed much over the years: folded A4 pages, stapled together, a sky-blue cover, type-written, Paul talking about the records he's been listening to, shows he's seen and some of the unfinished thoughts that these have inspired.

The zine is personal, engaging, human –what fanzines are good for really – and in the writing it wishes to celebrate great artists who have put wonderful things into the world.

If you would like a copy it's €4/£3 + postage and you can pay through PayPal or bank transfer. For more details write to homelovinpaul@hotmail.com

Thursday, 4 June 2009

Patrick Wolf: Live at the Electric Ballroom

Patrick Wolf is the opposite of an enigma. Someone who has given his all to his music and putting his vivacious personality across and has been stung, labelled and misunderstood. He does split opinion but, from the opinion of someone who has always followed his music with admiration and largely ignored the comments Wolf tonight dubs ‘jealous’, there can be little doubt over the man’s talent as a musician and a lyricist.

Tonight, Wolf is preceded by Yacht – a daunting, clever, strange and frustrating band from Portland. Jona Bechtolt and Claire Evans make up the two piece which spent the entire set leaping up and down, enjoying impressively choreographed dance moves and shouting down their white microphones. In possession of, realistically, no more than three decent tunes Yacht go for the jugular, encouraging audience participation, constantly asking questions – there’s no way this was just an exercising in waiting for the main act with a presence in front of you. The force an opinion, one way or the other, and for this audience member it was nice attitude, live drummer please and learn to sing in tune.

Wolf himself enters the stage to an atmosphere not unlike that which a boyband might meet. Screaming girls jossle for position, men in gold sequined trousers (yes) vie to be seen by the figure in the middle of the stage dressed in a cape, jump suit and sporting what can only be termed a ‘Britney-mike’. The handsfree device causes Wolf problems throughout the set, constantly slipping but does not affect the sound and allows him to express himself in his unique, ostentatious manner. Rattle through hits from his most popular third record, The Magic Position and new album, The Bachelor out today that day on new label Bloody Chamber Music.

If Wolf is scarred by the inferences and jibes that have been made about his vast redirection in music (when first ShadowPlay reviewed him he was a lang-haired shy type who spoke through his stark violin) and bisexuality then he shrugs it off well. He mentions the media a couple of times and touchingly dedicates the rip-roaring set closer The Magic Position to ex-girlfriend Ingrid who used to live above the Camden Underworld just a few yards away from tonight’s venue, but he comes across as someone more than happy in their own skin and persona. Climbing up ladders, attacking his piano, praising his band (which includes Electric Soft Parade and Brakes guitarist Tom White sporting a dubious ‘tache) and gentle playing the dulcimer bathed in a spotlight Wolf is a multi-faceted, multi-talented chameleonic musical superstar of the type that Bolan or Bowie would be and are undoubtedly proud of. We’ll even forgive him for using the word ‘showbiz’.

Tuesday, 2 June 2009

Put a Donk on it...

Le Donk, an improvised comedy shot over five days by Shane Meadows in cahoots with Paddy Considine, is set to have its world premiere at the Edinburgh International Film Festival on June 23rd. The following day Shane Meadows and producer Mark Herbert will give a talk about their new five day feature programme.
Rock roadie and failed musician, Le Donk (Considine) has lived, loved and learned. Along the way he’s lost a girlfriend (Olivia Colman) and his life has turned to shit. But, he has found a new sidekick in up-and-coming Nottingham rap prodigy Scor-zay-zee (playing himself). With Meadows’ fly-on-the-wall crew in tow, Donk sets out to make Scor-zay-zee (and himself) a star…with a little help from the Arctic Monkeys… This low-budget rockumentary follows Le Donk and Scorz on their journey of a lifetime; it’s an unpredictable, irrepressible ode to spontaneous filmmaking – and to a burgeoning UK hip-hop talent.

"After taking two life sapping years to make This is England, I decided it was time to get back to my roots as a Guerilla Filmmaker. So me, Mark and our miniscule team decided to stick two fingers up to the establishment and make a film with our own money in only five days. Oh yeah, and we had to somehow get 50,000 people in our final scene for free," said Meadows.

Le Donk is the first in the 5 Day Features series created by Shane Meadows and Mark Herbert and released by Warp Films. Hurrah for Nottingham and Sheffield talent as ever...

Monday, 25 May 2009

London Zine Symposium: May 09

This event has managed to elude me for reasons of music, travelling and, erm, Owls matches for quite a few years now so it was a pleasure, last week, to trundle along to The Rag Factory off Brick Lane for the biggest zine gathering (read, slightly nerdy but fun) in the UK of the year.

From the moment you enter the tight, sweaty venue you can’t help but be inspired. The sheer volume of the zines, imported (and there are issues from all over Europe and beyond) or otherwise, is quite astonishing with some exhibitors carrying as many as 100 titles it seems.
Some personal highlights were the thick little blue bueaty which is Shebang zine, a new un to the zine from the South West, covering loadsa of ShadowPlay-faves in an intricate, personal style. Beat Motel was there in force also, with the excellent latest issue spearheading a stall featuring plenty of US and Australian zines, some of the You letters and some prison writings. Dead Trees and Dye (http://www.deadtreesanddye.com/) distro carry some great stuff, largely of the arty variety and now some ShadowPlay issues so snap em up. Ricochet Richochet also offer up some excitement of the punky variety with the Anarchists Teapot supplying some tasty cakes too.

With all these things there’s an element of nervous embarrassment, wanting to buy zines from everyone just because I know how crap it can feel for people to look at your zine, and then seemingly reject it by returning it to its spot. But it’s totally worth it to chat to the great people you meet, reads some offbeat thoughts and ultimately open your mind to things that are different, but not necessarily worse (or better) than mainstream coverage. What is prevalent that I’m writing about this on a blog, but I would stress that it’s a matter of ease rather than preference and the paper issue of ShadowPlay will always be my main focus because it is the passion in printing and crafting, shared by everyone in that room, that remains the driving force. It does bring me to one small gripe which is prices. To me, no zine is worth more than a couple of quid. It’s always about covering printing costs of course but this rarely supersedes that price and, like independent record labels, if you’re in it to make cash, don’t bother. I’m not saying people were being greedy capitalists but to me a pile of unsold zines at five quid looks more pathetic than the one scruffy 50p one left in a pile of snapped up issues. Overall a fantastic event, some incredible people and unashamed inspiration for zinesters everywhere.

Thursday, 14 May 2009

Marrisa Nadler: Live at the Luminaire

It’s always worth the trip up to Kilburn to the charming Luminaire with its ‘sshhh, we didn’t come to hear you talk to your mates’ type signs and canny nack of snapping up the kinda mid-sized acts with enough of a name and plenty of intrigue to draw in plenty of punters.
Marissa Nadler is one such. Since she released her third album, Songs III: Bird on the Water, in 2007 her name has slow crept through folky-fingertips worldwide an, as the ethereal Nadler takes the stage it’s easy to see why. An instantly likeable character Nadler promptly commands the attention of the entire audience, putting them in instant silence, something they stay in – trance like for the rest of the set.
Playing largely from Bird... and her new album Little Hells the songs are undulating and interesting. Kicking off with Diamond Heart, sinking into her voice like pebble into sinking sand, and continuing to offer the kind of soaring, heartfelt saddened-tinged vocal that is so easy to get wrong but Nadler nails spot on. She’s not afraid have a little fun too have a ‘covers time’ featuring Neil Young’s hit Lonesome Me, which she adds a new, even more plaintive angle too. Marissa Nadler is incredible talented, sings beautiful songs and, unfortunately for us, won’t be playing venues of the Luminaire’s size forever.

Sunday, 10 May 2009

MJ Hibbett & The Validators: Regardez, Ecoutez et Repetez (AAS)

If you’ve read ShadowPlay for any amount of time you’ll be fully aware who, and what, MJ Hibbett is – for some the funniest guy in indie music who tells it like it is, for others, I’ve been told, he comes across as smug and judging. Evidently I agree with the former so it’s a pleasure to see the man from Peterborough/Leicester return with a new studio album, Regardez, Ecoutez et Repetez which commits to record some of the tunes he’s been touring for the last year or two.
So, he bounds in with Being Happy Doesn’t Make You Stupid – something I totally agree with as cheerful prose can often come across as irritating when really, why not? I know it’s not very English though – Do the Indie Kid and It Only Works Because You’re Here. In true Hibbett style they’re great stories – French mid-90s discos, dancing at weddings and broken computers leading to romance, you know the score. Elsewhere we get the glorious My Boss Was in an Indie Band Once and One of the Walls of My House Fell In which are both as much for fans of a good story tape as a tune. Hibbett’s always adjustable, cheery vocal can sometimes get a little over the course of a whole record but some beautiful work from his Validators, namely Tom ‘Tiger’ McClure in particular make this as enjoyable, original and funny a record as the comic legend has produced so far.
[A book of all the lyrics and the story behind each song is also available and an engaging read]

Saturday, 9 May 2009

Brakes: Touchdown (FatCat Records)

Brakes have always been a marmite band. Even for those who make it past lead singer Eamon Hamilton’s opinion-dividing, ultra-precise diction the roots of love for the band’s other incarnations British Sea Power, although Eamon’s departure didn’t impact too heavily, and the subsequent lack of attention given to the Electric Soft Parade has alienated some fans.
But for those who do follow the Brighton-berthed Brakes it is a rewarding experience. Frantic live shows, irrepressible character and three albums in four years (relatively prolific for a mainstream band) have seen them garner considerable favour.
This is an interesting effort given the herd of singles that previous albums have offered, notably the success of All Night Disco Party and several other from debut Give Blood. Touchdown offers no less in terms of tune but, where before it was hammering the peddle with a hot trainer, it’s more of a leisurely summer ride in a regal carriage. Tracks such as Crush on You and Do You Feel the Same? steer the listener into a dreamier space than ever before offering something different from Brakes’ trademark swagger.
Ultimately there’s still enough venom to please long-term plans but maybe signs of Hamilton’s soft underbelly may just offer signs for the future from this vastly talented, oft-overlooked band.

Wednesday, 6 May 2009

Plus One Magazine

Our good friends over at Plus One Magazine are appealing for writers in Nottingham and further afield to provide the latest previews, live reviews, dates and news from bands playing in and around Nottingham, the Midlands and beyond.
Plus One are a team of like minded, music enthusiasts, not connected to any group, organisation or venue headed by Pete & Faith who work tirelessly to keep the site interesting and updated. Reviewers, photographers, interviewers, gig goers, all the writers do it for the same reason - the love of music in all its forms.
If you wish to get in touch, just visit the site here.

Tuesday, 5 May 2009

Photo(s) of the Week: Costa Rica

A recent visit to Costa Rica revealed it to be a fascinating country, a tranquil sea in an ocean of unrest across the Central American region. Stabilised by its American contingent, largely incumbent along the coastline and in the west of the capital, San Jose, Costa Rica’s scenery frequently turns your eyes to dishes and its Spanish-speaking people proved particularly friendly. Here’s a few images from the trip: